![]() Halston designed all of her costumes in “Liza” it’s high-fashion, and it also completes the package. Minnelli lights up the stage in a red sequined halter micro-mini - a wonder of a dress that is pure Fosse: winking at sexy in the most playful, tongue-in-cheek way. I could read him.”įor the song, “I Gotcha,” Ms. ![]() He was smoking and looking, and I could tell when he liked it. “I watched him like a hawk even when we were filming, I could see him near the camera, with a very intent expression. “He was a great communicator so that he could tell you what to do and not boss you around,” she writes. It emphasizes how different Fosse was from the man portrayed in “All That Jazz,” his 1979 semi-autobiographical film. Minnelli, who first worked with Fosse on “Cabaret,” for which she won an Academy Award, has prepared an introduction that will be read at the screening. While she won’t be present at the Lincoln Center event, Ms. Minnelli, front and center, who carries “Liza With a ‘Z’”: She’s a theatrical powerhouse. (So was Michael Jackson.) And his life with Gwen Verdon, his third wife and collaborator and muse, was the subject of the recent TV series “Fosse/Verdon.” But it is Ms. Fosse, who died in 1987, transformed musical theater with his brand of jazz choreography that celebrated a kind of sleek and sensual angularity in shows like “Sweet Charity” and “Chicago.” Fosse’s influence has soared in recent years - Beyoncé, as her music videos attest, is clearly a fan.
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